Backstage Pass: Denis Kozhukhin on Beethoven’s ‘Emperor’

You’ve performed with the Philharmonia many times – what do you enjoy about working with the orchestra?  

I’ve been very fortunate to perform with the Philharmonia Orchestra several times, and it’s always something I look forward to. They’re an exceptional group of musicians –highly experienced, incredibly responsive, and remarkably versatile. What makes them truly special is their distinctive character and unmistakable sound.

Beethoven’s ‘Emperor’ Concerto is a firm audience favourite. What draws you to the piece?  

If I had to describe the ‘Emperor’ Concerto by Ludwig van Beethoven in a few words, I would call it a truly monumental work for piano and orchestra. In many ways, it feels almost like a symphony, with the piano sometimes leading rather than dominating. 

It’s a piece full of contrasts and unexpected harmonic shifts, but above all, it carries an extraordinary sense of optimism. There’s a feeling of strength, vitality, and a kind of heroic energy – as if it reflects the struggle of life itself, and ultimately the triumph of overcoming it. 

Do you have a favourite moment in the concerto?  

I have many favorite moments in this piece, but if I had to choose one, it would be the beginning of the second movement. After the heroic and triumphant energy of the first movement, it suddenly shifts into something that feels almost like a dream – or even a quiet prayer. 

There’s also a remarkable change of tonality at that point, which makes the contrast even more striking. For me, that moment is pure magic. 

If someone in the audience is hearing the ‘Emperor’ for the first time this evening, is there anything in particular they should listen out for?  

To be honest, I envy those who will hear this piece for the first time, because it can truly feel like a revelation. I wouldn’t suggest focusing on anything specific – it’s really about allowing yourself to experience the music. 

Simply enjoy its beauty and try to become part of it. And if that connection happens – both for the audience and for us on stage – it creates something truly special, almost miraculous.

I envy those who will hear this piece for the first time, because it can truly feel like a revelation.