COVID-19 update: all live concerts to the beginning of August 2020 are sadly cancelled; help secure the future of the orchestra through our Keep the Philharmonia Playing appeal.

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About us

The Philharmonia is a world-class symphony orchestra for the 21st century.

Philharmonia on stage at Royal Festival Hall

Based in London at the Southbank Centre’s Royal Festival Hall, the Philharmonia creates thrilling performances for a global audience. Through its network of residencies, the Orchestra has a national footprint, serving communities across England both in performance and through its extensive outreach and engagement programme.

Founded in 1945, in part as a recording orchestra for the nascent home audio market, today the Philharmonia uses the latest digital technology to reach new audiences for symphonic music. The Philharmonia is led by Finnish conductor and composer Esa-Pekka Salonen, its Principal Conductor & Artistic Advisor since 2008. Fellow Finn Santtu-Matias Rouvali takes over from Salonen as Principal Conductor in the 2021/22 season.

During the Covid-19 lockdown, the Philharmonia’s strong digital programme has enabled the Orchestra to maintain an international presence, with streams of archive performances, educational films, and videos made at home by individual players giving an insight into the life of the Orchestra to a global audience.

The Philharmonia is a registered charity that relies on funding from a wide range of sources to deliver its programme and is proud to be generously supported by Arts Council England.

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London Season

The Orchestra’s home is the Southbank Centre, in the heart of London, where the Philharmonia has been resident since 1995.

Under Salonen and other key conductors, the Philharmonia has created a series of critically-acclaimed, visionary projects, distinctive for both their artistic scope and supporting live and digital content. Recent series include City of Light: Paris 1900-1950 (2015) and Stravinsky: Myths & Rituals (2016), which won a South Bank Sky Arts Award. In 2019, Salonen presented Weimar Berlin: Bittersweet Metropolis, a celebration of the feverish creativity of the Weimar era through the prism of its music, film and cabaret.

Orchestral programming is complemented by series including Philharmonia at the Movies, Music of Today, the Philharmonia Chamber Players and an Insights programme.

“Playing of sizzling virtuosity and vividness”

The Guardian

UK programme

The Philharmonia is orchestra-in-residence at venues and festivals across England, and has a UK touring programme that regularly takes the Orchestra to the BBC Proms, Edinburgh International Festival and St David’s Hall in Cardiff. The Philharmonia’s residencies are at Bedford Corn Exchange, De Montfort Hall in Leicester, The Marlowe in Canterbury, Anvil Arts in Basingstoke (where it is Orchestra in Partnership), the Three Choirs Festival in the West of England, and Garsington Opera.

At the heart of the Orchestra’s residencies is an outreach and engagement programme that empowers people in every community to engage with, and participate in, orchestral music. The Philharmonia’s flagship Orchestra Unwrapped project for schools encompasses concerts, in-school workshops and teacher training, delivered in partnership with Music Hubs; intergenerational creative music-making community project Hear and Now brings together people living with dementia and their carers with young musicians; and urban-classical project Symphonize engages vulnerable teenagers.

During the COVID-19 lockdown, the Orchestra is working with partner venues and organisations to maintain a relationship with audiences around the country, and in particular with groups of vulnerable young people and adults who have experienced the Orchestra through its outreach programmes.

Video

Hear and Now 2019

Intergenerational music and movement

Global reach

The Philharmonia is normally active across Europe, Asia and the USA. Recent projects include a residency at the Cartagena International Music Festival, Colombia, in January 2019 (pictured), which brought together live performances, digital experiences and a week-long side-by-side mentoring programme for young local musicians. in March 2019, Esa-Pekka Salonen led a US tour that featured two performances at Lincoln Center, New York, and visited CAL Performances in Berkeley, California. The Philharmonia and Salonen closed their 2018/19 touring season with a three-week residency at the Festival d’Aix-en-Provence built around a critically acclaimed production of Kurt Weill’s Rise and Fall of the City of Mahagonny.

In September 2019, Salonen and the Orchestra travelled to Europe, including a return to Hamburg’s Elbphilharmonie; in January 2020 Salonen led a residency at Tokyo Metropolitan Theatre that included a presentation of the Orchestra’s VR Sound Stage.

Philharmonia on stage at Caragena International Festival
Cartagena International Music Festival, Colombia

Digital programme, recording and broadcasting

The Philharmonia’s international reputation derives in part from its extraordinary recording legacy, which in the last 10 years has been built on by its pioneering work with digital technology. Two giant walk-through installations, RE-RITE (2009, based on Stravinsky’s The Rite of Spring) and Universe of Sound: The Planets (2012) have introduced hundreds of thousands of people across the world to the symphony orchestra. More recently, the Philharmonia and Esa-Pekka Salonen have blazed a trail for classical music in Virtual Reality.

VR experiences featuring music by Sibelius, Mahler and Beethoven, placing the viewer at the heart of the orchestra, have been presented at the Southbank Centre, at Ravinia Festival (Chicago) and at the SXSW Conference and Festival in Austin, Texas. The Orchestra’s 2018/19 London Season opened with a new, audio-led VR installation, VR Sound Stage (pictured), which was presented for free in the foyer of Royal Festival Hall, and then toured internationally.

A new research and development project, in a consortium led by the Royal Shakespeare Company and funded by the British Government’s Audience of the Future programme, is exploring how immersive technologies such as VR, Augmented Reality (AR) and Mixed Reality (MR) can re-imagine what a live performance can be.

The Philharmonia records and releases music across multiple channels and media. An app for iPad, The Orchestra, has sold tens of thousands of copies. Composers including Brian Tyler, Steven Price, James Newton Howard and Christopher Lennertz choose to record their scores for films, video games and television series with the Orchestra (recent credits include the new Formula 1 theme, Lost in Space , The Mummy and Baby Driver). The Orchestra’s VR 360 Experience is available on PlayStation VR.

The Philharmonia is Classic FM’s Orchestra on Tour and broadcasts extensively on BBC Radio 3; with Signum Records the Philharmonia releases live recordings of signature concerts; and the Orchestra’s YouTube channel has over 97,000 subscribers and had 4 million views last year.

Image of VR Sound Stage set-up
VR Sound Stage

New audiences

The Philharmonia’s investment in technological innovation has been a catalyst for its award-winning audience development projects, which are united by the concept of taking symphonic music out of the concert hall and presenting it in new contexts.

The Orchestra has won four Royal Philharmonic Society awards for its digital projects and audience engagement work. In its most ambitious audience development project to date, the Philharmonia presented The Virtual Orchestra – a six-week festival of digital installations, VR, workshops and community engagement, and fringe performances – in each of its town-based residency locations in 2018 and 2019.

Video

The Virtual Orchestra

Reaching new audiences

People

The Philharmonia was founded in 1945 by EMI producer Walter Legge, and has worked with a who’s who of twentieth century music, especially in the recording studio. Herbert von Karajan, Otto Klemperer, Wilhelm Furtwängler, Richard Strauss, Arturo Toscanini and Riccardo Muti are just a few of the great artists to be associated with the Philharmonia.

In 1964 the members of the Philharmonia took over ownership of the orchestra (known as the New Philharmonia from then until 1977) and it has been self-governing ever since. Finnish conductor and composer Esa-Pekka Salonen has been Principal Conductor & Artistic Advisor since 2008. Santtu-Matias Rouvali is Principal Conductor Designate, succeeding Salonen in the 2021/22 season. Jakub Hrůša is Principal Guest Conductor; Christoph von Dohnányi is Honorary Conductor for Life and Vladimir Ashkenazy is Conductor Laureate. Composer Unsuk Chin is Artistic Director of the Music of Today series.

As well as its membership of 80 players from all around the world, the Philharmonia supports the next generation of composers, conductors and instrumentalists through its Emerging Artists programme. Composers’ Academy champions three developing composers each year. The Philharmonia works with Salonen and the Colburn School of Music in Los Angeles to deliver performance opportunities and training for the Salonen Fellows, talented young conductors on the conservatory’s Negaunee Conducting Program. The Orchestra’s MMSF Instrumental Fellowship Programme supports instrumentalists seeking an orchestral career and connects them to the wider life of the Orchestra and the expertise within its membership.

The Philharmonia’s Principal International Partner is Wuliangye.

Esa-Pekka Salonen talking to Philharmonia players
Esa-Pekka Salonen