Artists
Santtu-Matias Rouvali – conductor
Jess Gillam – saxophone
Programme
Shostakovich (arr. Cornall) Suite from Moscow, Cheryomushki
Glazunov Saxophone Concerto
Tchaikovsky Symphony No. 6, 'Pathetique'
How does a conductor communicate their interpretation of a piece with an orchestra and the soloist as they prepare for a performance?
Our Open Rehearsals give you access to this creative process and allow you to see the Philharmonia at work. Learn more about the pieces and start to listen to your favourites with a fresh pair of ears.
By the age of 23, British saxophonist Jess Gillam had topped the UK Classical Charts, won a BRIT Award, and debuted at the BBC Proms. Known for her ‘panache and pizzazz’ (Bachtrack), the household name shows us exactly what the saxophone can do, in Glazunov’s 1934 concerto – a staple of the repertoire. Much like its performer, this piece helped put the instrument on the classical music map.
Santtu opens with music by Glazunov’s student, Shostakovich: the suite from his satirical operetta, Moscow, Cheryomushki. Humour, lilting waltzes and fiery dances are packed into its four movements – it’s music that’s well worth discovering.
Finally, Tchaikovsky’s Pathétique Symphony. Entitled “the passionate symphony” by the composer – and passionate it is – this is the work of a composer at the top of his game and remains one of the most popular in the canon.
Price
£5
Join the Friends from only £5 a month to get access to Open Rehearsals and more.
Running time
Approximately 3 hrs (subject to change)
Recommended age
From 7+
Programme notes
Digital programme notes available closer to the rehearsal.
Contact the Friends team
Phone: 020 7921 3906
Email: friends@philharmonia.co.uk
Concerto and Symphony Friends
Concerto and Symphony Friends members can claim their complimentary pair of open rehearsal tickets by emailing friends@philharmonia.co.uk.
About
Open rehearsals are not performances. Playing may be paused at various intervals in order for the conductor, soloist and orchestra to agree on specific styles and dynamics.
Open rehearsals will take place in the auditorium where the concert is due to be performed, unless otherwise specified. Times and repertoire being rehearsed will be confirmed prior to the rehearsal date, as these schedules are subject to change.
Please note that open rehearsals are working processes for the conductor and the Orchestra, we cannot guarantee that pieces will be played in their entirety. Timings are subject to change and every endeavour will be made to let ticket holders know in advance about any such changes. Please check our website for up-to-date information.
Venue
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