Open Rehearsal in London: Dvořák’s New World Symphony
Jordan de Souza – conductor
Julia Bullock – singer
Still Symphony No. 1, 'Afro-American'
Gershwin Somebody from Somewhere
Bonds The Negro Speaks of Rivers
Bonds Winter Moon
Dvořák Symphony No. 9, 'From the New World'
We explores the music of the Harlem Renaissance with compelling American soprano Julia Bullock. Then Dvořák’s ever-popular ‘New World’ symphony brings our series Let Freedom Ring to a close.
It’s a fitting finale for this series exploring American music. Inspired by the spirituals and folk music Dvořák heard while he was working in New York in the 1890s, it may well be the most popular symphony composed in America.
But for the most popular symphony composed by an American, we must look to William Grant Still, a prolific and trailblazing Black composer and a key figure in the Harlem Renaissance of the 1920s and 30s. His First Symphony is an audience favourite in the US, but not often programmed by British orchestras. Its four short movements, ‘Longings’, ‘Sorrows’, ‘Humor’, and ‘Aspirations’, are threaded through with the sounds of the Blues, ragtime and jazz, and it culminates in a triumphant hymn of hope.
Julia Bullock is one of our Featured Artists this season. Known for her intense, authentic performances and commanding stage presence, she is also an eloquent advocate for equity and inclusion in the arts.
She sings two settings by Margaret Bonds of poems by Langston Hughes – both composer and writer were leading lights of the Harlem Renaissance. Bonds discovered Hughes’ poetry while at university and was inspired to continue her studies in the face of terrible racism, and later she and Hughes became lifelong friends. Between the Bonds songs are three Gershwin classics, including the poignant lullaby from Porgy and Bess (see our 9 November concert), ‘Summertime’.
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Approximately 3 hrs
Digital programme notes available closer to the rehearsal.
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Phone: 020 7921 3906
Concerto and Symphony Friends
Concerto Friends and above can claim their complimentary pair of Open Rehearsal tickets by emailing email@example.com.
Open Rehearsals are not performances. Playing may be paused at various intervals in order for the conductor, soloist and orchestra to agree on specific styles and dynamics.
Open Rehearsals are working processes for the conductor and the Orchestra. Times and repertoire being rehearsed will be confirmed prior to the rehearsal date, as these schedules are subject to change. Please check our website for up-to-date information.