The Bach Choir: A German Requiem
Brahms’s German Requiem charts a journey through grief to hope, in music that has brought solace to generations of listeners.
Rather than the usual Latin Requiem Mass, Brahms chose to set his own selection of passages from the Bible. His message is one of steadfast faith, and comfort and compassion for those who mourn. Balancing movements for the full chorus and orchestra with beautiful solos for baritone and soprano, the work culminates in a magnificent choral fugue.
Paving the way for Brahms’s masterpiece, The Canticle of the Sun by trailblazing American composer Amy Beach (1867 – 1944) sets a prayer by St Francis of Assisi. Beach’s music brings St Francis’s timeless words vividly to life, invoking God’s blessing on ‘Brother Sun and Sister Moon’, the Earth and all God’s creatures.
Samuel Coleridge-Taylor’s Solemn Prelude was commissioned for the Three Choirs Festival in 1899, premiered to critical and audience acclaim – and then lost. In 2021 the original score was tracked down in the British Library, and the Philharmonia gave the work its long-overdue second performance. It’s a lush Romantic work, leavening the solemnity of its title with gorgeous long-breathed melodies.
The Bach Choir and the Philharmonia Orchestra are regular partners, filling the Royal Festival Hall with their ‘electrifying… inspirational music making’ (Bachtrack).
Need to know
Prices & Discounts
£15 – £70
Multi-buy offer available; under-18s and concessions discounts available; discounted tickets for students via Student Pulse (limited availability)
Running time
1 hr 40 mins, including a 20 minute interval
Recommended age
From 7+
Programme notes
Free printed programmes will be available at the venue. Digital programme notes available a week before the event.
Box office
Philharmonia Box Office: 0800 652 6717
Monday to Friday 10am – 5pm
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Re-discovering Coleridge-Taylor’s Solemn Prelude
In this fascinating interview, David Hill (Bach Choir), Alexis Paterson (Three Choirs Festival) and Michael Fuller (Philharmonia Orchestra) came together to discuss Coleridge-Taylor‘s Solemn Prelude, which was premiered in 1899 and then disappeared.
Watch Here